it's about things i like (& things i don't)... it's about work & about play... it's about food & fashion, divas & my sweet home, Chicago
Thursday, March 31, 2011
War - What is it Good For?
History geek that I am, I recently read Studs Terkel's book "The Good War" about WWII, and have been watching the HBO series "Generation Kill" (It was a Christmas present - thanks, Heidi and Jane!) - something about the soldiers' stories, the lost innocence, the sacrifice, the daily life, are all things that we civilians can just never fully comprehend. We watch, we pray, we send letters and care packages, we hope they will come home safely. I think I am about as patriotic as the next person, and I am always deeply moved by military rituals - the presentation of the colors, the playing of taps, all that stuff, speaks to me on such an emotional level.
That is a really long way of saying how much I was looking forward to Black Watch (and I am not just saying that because I work at CST now! Or because it featured a cast of lovely Scottish lads.) - the story of the famed Scottish regiment during the Iraq war. It was performed in the Broadway Armory, which was actually (duh) a military Armory and training facility and is now part of the park district. Gosh, if those walls could talk.
The show chronicles the story of the soldiers in the regiment, with a bit of history about the Black Watch thrown in for good measure. A proud battalion of fighters that participated in storied battles including Culloden, WWI in France and the Middle East, WWII (European and African Theaters), Korea, and were sent to Iraq to support the US Operaton Iraqi Freedom. The unit was deployed to what was known as the "Triangle of Death" between Fallujah and Karbala (the same area where my cousin died in battle). The show included music, a little humor, and a real life look into the Scottish soldiers' experiences in the war.
It wasn't their fight - but they fought. They wondered what the point of it all was -this was not a threat to their country, or even necessarily to that of their ally the US. They faced a new kind of warfare with suicide bombs, IEDs and danger lurking around every corner. They fought for each other, for their mates. Some of them made it home to tell the tale.
I was (can you tell?) deeply moved by the story, even though the sound was super loud (but come on, it was in a gym, for god's sake) and at times the dialogue was hard to understand. Oh and they swore a lot. I heard one guy comment if he had a dollar for every time they said "fuck" and derrivations thereof, he'd be a wealthy man. But I mean, come on. They're IN THE ARMY. In a place called THE TRIANGLE OF DEATH and I think a few "fucks" are warranted. Quite a few. But whatever, should they say "Oh, shucky darn, we're being mortared?" I thank Terry Pratchett's wee free men series for teaching me what "ken" means - because otherwise I would have been sitting there going who's ken? They keep talking about him...
I enjoyed the show. I am planning to see it again. It is raw, it is timely, it is thought-provoking theater.
Monday, March 28, 2011
Gimme a head with... confessions of a part-time (hair) model
So. Off we went to the Sheraton Hotel downtown (so close to work, I could have wandered over to the office, if I had been so inclined) - we had a small adventure with parking (parking in Chicago is ALWAYS sort of an adventure, yes?) and then were waiting for La Stylista (Beth) to arrive. And we started to... notice things. Things that gave us a bit of... pause. For instance, the name of the show was the Proud Lady Beauty Show. Fun, right? Right? Well, yes. So anyway, short and short of it is, it was a show for African-American women. It included makeup and hair products and other assorted stuff, which is cool, right, but, for one small detail -we are not African-American. We sort of stood out a little bit in the crowd (one of the makeup ladies, bless her for trying, saw Heidi and I approach, gave us a big smile and said "Hello, girls! I've got some beautiful... lip gloss for you to try!")
It made me start to wonder what exactly was going to be done to my head to make it interesting for the target audience of this show. Because my hair? Is very fine, and straight as a republican minister from Kansas.
But then Beth turned up and we learned that we would be given the La Brasiliana treatment on our heads. This product is a deep conditioning sort of thing, with Keratin and Collagen and it provides smoothness, shine and manageability. Which brings me to another issue - this treatment is perfect if you want to achieve all those things - but did I mention my hair is fine? And stick straight? Pretty much all the time? All I have to do usually is brush it and it lays flat by itself. That's all it does. It doesn't curl, it doesn't frizz, it just kind of sits there. So a good candidate for a deep conditioning treatment I was definitely not. But we were what they had to work with, so on with the show - we were instructed to go and wash our hair - in the bathroom sink. We actually got all the way to the bathroom when we were called back - washing stations had been found, so we didn't have to try and wash our hair in the bathroom (thank goodness for small favors).
After the washing, we had to dry our hair "big" to make it look wild and unruly. As Beth started to work on me, she found a reason (and thus a marketing tool) for my treatment - my hair knots up, especially when it is wet, making it really hard to comb through. The treatment is supposed to help with this (we'll see). Anyway, I had to sit for a long time, while she dabbed some stuff onto my head with a little brush, worked it in, dried and then flat ironed with a really really hot tool (something like 450 degrees, I think it was. That sucker was smoking, it was so hot). She did only half of my head at first and then had me walk around like a before and after display, letting people touch the (incredibly soft) finished side of my head. And, amusingly enough, people actually did want to touch my hair - the original texture, versus the smooth treated side. And lots of people came over to watch while Beth was working, asking what she was doing. When I was in the chair, I didn't have my glasses on, so I was pretty much blind, so I did my best (blind) Vanna White impression, smiling and holding up the bottle of product so everyone could see what it was. When she was done, with my whole head, I reached up to touch it - and it was smoothy mcsmooth, like a big stick of buttah.
We were at the show pretty much all day, pausing for lunch breaks and to walk around a little, chat with people and hand out brochures and stuff. Everyone was super nice and friendly and it was a lot of fun. I am not allowed to wash my hair (or pull it back - eeek!) until tonight, and so we will see how long the treatment lasts and if it stays all smooth-like-buttah for very long. My particular treatment would have set me back $250 if I'd had it done in the salon and is supposed to last for 2 months. We shall see. I would recommend it for people with bigger hair problems than mine - frizz, or uncontrollable curls or any other kinds of issues.
It was a lot of fun being "the talent" - so if Beth asks again, I'll spend part of my time (hair) modeling, part of my time next to one of the Conchords, and the rest of the time doing my normal job...
Friday, February 25, 2011
the king's speech AKA give that man an oscar now!
The King's Speech is a wonderful film. It is not flashy, it is not filled with high speed chases or lots of explosions, it is a quiet film, exploring one man's struggle with a stammer. He was no ordinary man, of course, he was the Duke of York, the Spare Prince, #2, the invisible man, never to be King. Destiny changed all that for him when his playboy brother David (who was Edward VIII for a short short while) abdicated the throne for that "twice divorced, American woman" Wallis Simpson before they headed off to their "vee-la" in France (sorry, the above quotes were for my own amusement - I had a thing for Edward VIII in school and did an AP European history project on his non-existent reign).
Suddenly, the man in the background found himself center stage, at a time when the world was about to get sucked in to another global conflict. He had no actual politcal power, like to form a government, but everyone looked to him for guidance. The people need you, Bertie. So public speaking became important and he looked to the "common colonial" Lional Logue for assistance for getting rid of the stutter. The relationship with these two men lasted the rest of George VI's lifetime.
It's a wonderful story, a little slice of life. The cast is all kinds of star powered - aside from Colin Firth and Geoffrey Rush, it includes Helena Bonham Carter as the Queen Mum, leading off a Harry Potter reunion of sorts with Michael Gambon as George V, and Timothy Spall as Winston Churchill. Also in the cast are Jennifer Ehle (from P&P - squee!) Sir Derek Jacobi, Guy Pierce and, something that will probably interest only me, but it is my blog, right, so I'm gonna mention it - Anthony Andrews as Prime Minister Baldwin. Mr. Andrews is a wonderful actor who once played Edward VIII in a little made for tv movie called "The Woman He Loved". He also played Sebastian in "Brideshead Revisited" - not the recent movie, an older version, a dashing Scarlet Pimpernel, and a bomb squad officer in a lovely little series called "Danger UXB"). He has about two scenes in this film, and it took me until the second one to recognize him, but sure enough, there he was.
Anyway. Do yourselves a favor, this Oscar weekend, and go see The King's Speech. There will always (always) be another Adam Sandler move (trust me). But this one is a sweet little gem and is not to be missed.
Friday, February 18, 2011
the best thing i've read all day...
"The Joffrey Ballet’s grand and glorious production of “The Merry Widow,” the full-length ballet by British choreographer Ronald Hynd now in a lavish company premiere at the Auditorium Theatre, might just inspire a little yearning for the rebirth of the Austro-Hungarian Empire."
Huh??
Really? Yearning? Really? I don't see how we're supposed to take critics seriously at all, when they say stuff like this. Full disclosure here: I haven't seen this and I most likely won't be. So, for all I know, the entire audience might have left the Auditorium having the following conversation:
Patron 1: You know what the world needs? A return to the days of the Austro-Hungarian Empire.
Patron 2: Yeah! I was totes thinking that too!
Patron 1: I love how they went from being primitive city-states to like, the first world superpower.
Patron 2: Yeah, Europe got all united and shit. Power to the Habsburgs!
Patron 1: It's really too bad that that Franz Ferdinand got shot in 1914, by those crazy-ass mo-fos in the Black Hand.
Patron 2: That would be a totally awesome name for a band.
Patron 1: Black Hand?
Patron 2: No, Franz Ferdinand.
Patron 1: I think that's taken. But whaevs. This ballet? Totally reminded me of the Austro-Hungarian Empire. I don't know how, since it was, like, a really long time ago, but I inexplicably find myself yearning for a return to those glory days of yore.
Patron 2: Did you just say yore?
Patron 1: Yeah, sorry, I guess I got caught up in all the yearning.
Patron 2: The costumes were pretty though, and ooh, the dancing was awesome, too.
Patron 1: Yeah. I love me a good waltz.
Patron 2: Is it me or is it really dark in that theter?
etc.
I don't remember what the rest of the review said, I have been sitting here chuckling about that opening line for a solid 20 minutes. So if anyone goes to see the Merry Widow PLEASE, PLEASE tell me if you are gripped with a sudden yearning for good old Archduke Franz whatshisname and the Austro-Hungarian Empire. And thank you, critic-who-shall-not-be-named-although-I-am-pretty-sure-any-Chicagoan-will-know-right-away-who-you-are, for helping me start out my Friday with a good laugh, and also allowing me to flex my creative muscles before work...
Wednesday, February 16, 2011
Let Me Entertain You...

I went into this book thinking I knew the story - I have, after all, seen Gypsy the musical fable severally, read Gypsy's autobiography and even her son's book, Gypsy & Me. The story is familiar - trouping the vaudeville circuit, at the end the era of that kind of entertainment. Baby June's crazy ability (very much exploited) to dance on pointe when she was only 2 years old, which probably led her to flee the act as a teenager. The creation of Gypsy Rose Lee, internationally renowned famous person and burlesque queen, from Rose Louise Hovick - the not very talented, self-taught girl, nicknamed "the Duchess".
This is a story about identity - Rose Louise, born June Ellen Hovick, had her name taken away from her when her cute as a button baby sister was born (thus becoming Baby/Dainty June AKA June Havoc in later years). But who is this girl? She is an early day Madonna of sorts, recreating herself to fit whatever image suits her at the time. Stripteaser extraordinaire? Check. TV talk show hostess? Check. Mother? Check. Pretty Princess of Fabulous Literary Salons and exclusive Parties? Check Check Check. A true ecdysiast (a word coined for her) - shedding her skin on stage and in life. Giving things away but keeping a lot to herself. The shy quiet Louise, desperate to be a star and seeking Mother's attention, that we grew to know and love from the musical? That story is the way Gypsy wanted it to be, maybe not necessarily the way things were. Hence the use of the word "fable" in the show's title.
This is also the story of America in the early 20th century. A time of notorious political corruption, post WWI isolationism, and the start of the Great Depression. This era saw the rise of burlesque as popular entertainment, chronicled in the book through the story of the brothers Minsky.
Several narrative threads come together masterfully in this book, the story of Gypsy, her relationship with her mother and with June, a tale of entertainment (and morality) in Depression-era America, before our rise to Superpowerhood, innocence lived and lost.
Friday, February 11, 2011
Thursday, February 03, 2011
when is spring gonna get here, anyway?
Today, it's freezing-ass cold, and I got a text last night letting me know that the office is going to open at 12 today. So.... semi snow day!
Sunday, January 09, 2011
BEST.BIRTHDAY.EVER
Whatever, anyway, our game was last night! The Wolves were playing a team called the Hamilton Bulldogs, and we were puzzled as to where the heck Hamilton was - they are apparently from Canada. On to the action! Our seats were awesome - front row, center ice, right next to the penalty box. SWEET!
It was fun and action packed and exciting, everything I expected my first game to be. There was even a fight, thus completing my experience.
Sadly, the Wolves did not win the game, but they did score a goal - and the crowd went wild (there were even fireworks). SO MUCH FUN. The final score was 1-4
I've been having some ups and downs lately, as I am looking for a new job, but this outing was just the boost I needed!
Saturday, January 01, 2011
5-4-3-2-wha?
We turned on the tv, looking for some local celebrations. I remember in years past, there would be a concert at the House of Blues and a few other Chicago-based activities. This year, we had a choice of "Daryl's House" with Daryl Hall and also a celebration from Navy Pier, hosted by Mark Giangreco and Janet Davies. We didn't see a lot of it, but there was a number by the cast of Million Dollar Quartet (they were pretty good), a performance by a DeBarge, and then... aimless anchor filler. Sort of strange. Very awkward.
And then the best part? The two clueless anchors began the countdown - WAY WAY before the actual countdown appeared on screen. They were on "10" and the numbers on the screen started at 15. And then there was happiness at Navy Pier and lots of footage of drunk people making out. Um, yeah. Happy New Year? There were allegedly fireworks, but we turned the channel. We ended up watching "Feliz 2011" on univision, because it was more exciting than the crap on ABC. We don't speak much Spanish (I took it in junior high and high school) but it was STILL better than the Chicago celebration. We rang in the new year again, with a more accurate count, with Mexico City.
So what gives, Chicago? We are not a lame city. But in terms of New Year's celebrations, we are a little bit sub-par. There is nothing that drops from the sky, nothing that lights up in a spectacular fashion, nothing. Did we all just give up and watch the ball drop in Times Square (an hour early)? Feliz 2011 showed pictures from around the world - really great fireworks displays in Sydney (over the Harbour Bridge), London (over the London Eye), Tokyo, and Berlin and a few other places. But Chicago? NOT INCLUDED. Because our televised "celebration" was, and I can't emphasize this enough, LAME.
Is it because of the weather? Nobody really wants to stand around outside in arctic temperatures to watch a lit up ball in the sky? Maybe, although people turn out in droves for Bears games, which are outside. Can't we get some A-list talent out here and televise it? Then we can be all like, hey people, this is the place to be for the new year! I think somebody needs to get on it and put together a really great NYE celebration in Chicago.
But that's next year. I was happy to be with my friends, chilling and laughing and having a great time.
Happy 2011, everyone!
Friday, December 31, 2010
another chance, another start, so many dreams to tease the heart...
Wednesday, December 29, 2010
Sunday, December 26, 2010
black swan

The thriller Black Swan shows us that not everything is beautiful at the ballet (which I could have told you for free, incidentally.). The movie is about an up and coming ballet star Nina (Natalie Portman, in full fierce bunhead mode) who has finally been given a starring role - the Swan Queen in a new production of Swan Lake. She is a natural for the White Swan, but can she play the darker, more sensual Black Swan?
Don't be fooled into thinking this is a happy little "a star is born" ballet story. It's a deeply creepy psychological exploration of Nina's increasingly paranoid emotions. As she strives to perfection in the dual Swan role, she feels the heat of competition, with other dancers trying to make it to the top. It's a cutthroat world, you know? Prima Ballerina, Beth, (great cameo by Winona Ryder) has just been pushed into retirement due to her old age. Ballet is a young person's art - although I watched a great profile on NYCB Ballerina Darci Kistle this morning - she just retired from professional dancing with the company - at the age of 46.
Nina grows more and more paranoid by the second, driven to the brink by the arrival of a new dancer Lily (Mila Kunis!! Doing awesomely in her post That 70s Show life! Goooo, Mila!!) who Nina thinks, of course, is out to get her. Incidentally, both of them did a lot of their own dancing, and it works very well. Rodarte designed the tutus, and they are truly fabulous.
Don't sit too close though or the camera action might make you spew. Other than that, totally go and see it.
Saturday, December 25, 2010
see how we've decked our halls...
the greatest gifts...

I hope everyone has a great Christmas and that you all got wonderful presents and are spending time with family and friends, like I am.
Thursday, December 23, 2010
pillow talk (no, really)
Case in point. Over the past several weeks, I have noticed some weird little puffy balls of fluff by the side of my bed. Upon close investigation, I discovered that they were coming from my pillows. From the gaping holes in the corners of my pillows, to be exact. I've had these pillows, oh, I would say at least since college (which was, yikes, 10 years ago!). They are Martha Stewart brand "Grandpa" bed pillows and I have two of them and I love them.
Now they are hemorrhaging cotton fluff, and I am faced with an immense dilemma: buying new pillows. Is it me, or did this used to be easier? You walk in, grab a bed pillow, pay for the pillow, go home, throw it on the bed, and you are cooking with gas, or more accurately, off to sleepy land with awesome new pillows. Right?
But now, you walk in, and there are all kinds of choices. There are pillows for side, back and stomach sleepers. They can be down filled or cotton fluff filled, or allergy safe, alternative whatever filled. They can be square or rectangular or full body sized. There are medium support, firm support or extra firm support.
I mean, really?? I have trouble making decisions on a regular basis anyway, but give me so many choices and it's like, impossible. Especially given the fact that this decision is so vitally important to my achieving a really good night's sleep. I love to sleep, and everything has to be just right - I have been known to get out of bed in the middle of the night and remake the bed because the covers have gone all bunchy and weird. I put my beloved pillows in the dryer every night so that they are perfect and puffy. I don't like squashy pillows. A little OCD? Perhaps. But like I said, I've become Set in My Ways.
I bought two new pillows. The first came from Target. It's an extra firm support and it is quilted (which gave me some worry, initially, because I thought I might wake up with quilt marks on my face?). Verdict? A bit bouncy but possibly workable.
The second is a Sealy, which I bought because they make mattresses, and should therefore know their shit vis-a-vis a comfortable sleeping experience. It's an extra firm with a gusset (wtf is with these pillow gussets anyway?) and this thing? Is like a rock. No way, no day.
So I am still on the quest for new pillows. The thing is, it's hard to know what they feel like until you're in your regular sleeping position, testing the thing out. Resting your head on it in the store is not the same thing. So I am afraid to get any others in case I don't like them. In the meantime, I've fixed the holes in my existing pillows (the Grandpa pillow, needless to say, has been discontinued) and will continue using them until they are nothing but cotton fluff balls.
Wish me luck!
Thursday, December 09, 2010
did i tell you about the ferris wheel?
Tuesday, November 30, 2010
women on the verge of a nervous breakdown...
The cast was all outstanding - how could you put Sherie Rene Scott, Patti LuPone, Brian Stokes Mitchell and Laura Benanti into a show and not get magical performances?
So please don't listen to the critics - go see this one too, if you have the chance. It's light and frothy fun. Maybe it could have benefitted from an out of town try out, but whatever. The score is good and it's a funny and enjoyable evening at the theater.
Sunday, November 28, 2010
I'm Andrew !@#&$^ Jackson!
I don't know why I'd heard of Bloody Bloody Andrew Jackson - I get email on a regular basis from the Public Theater, and it seemed to enjoy a good off-broadway run. When it made the move to Broadway, it started getting Buzz. But then I saw an ad in Time Out New York (which I am still getting! I love you, TONY!)
And I mean, really? I for one am totally in favor of history getting all sexypants.It was my major after all, and how could I say no to an emo-rock musical about our 7th President? I would totally have a beer with AJ (and I don't even drink beer!) and his tight, tight jeans.
The scene is set the second you step into the theater - it's bathed in red light, and moody rock music is blaring out of the speakers. And then our frontier hero emerges and commences to rock. I'm telling you, I was hooked the second the show started. It was fast, funny, and relevant. Told entirely in 2010 vernacular, we followed Andrew Jackson's progress with the assistance of a storyteller - until he shoots her in the neck, growling "I'll take it from here!" Ooooh, yeah, he's SO that guy!
Some of my favorite moments - "meanwhile back in Washington..." introducing the power players: John C. Calhoun, Henry Clay, John Quincy Adams ("If my father got to be the president, I should be president too!" and who later exclaimed, upon being "elected" president "I'm SO EXCITED! I never win ANYTHING!"), Van Buren ("damn it, VanBuren! Why do you have to be such a motherfucker??") and all of the others came dancing out to a Spice Girls song... One of them (maybe JQA or Van Buren?) exclaimed "How laissez un-fair!" Oh, my history geek heart was a-flutter. I remember learning about all of these guys in Mr. Daiberl's class! We had to identify pictures of John C. Calhoun and Henry Clay. I wonder how he'd react to the line in the show that James Monroe was a "douchebag"....
When the election of 1824 got stolen from Jackson (winner of the popular vote but not the electoral, I think?) he sat downstage, looking dejected, and the following came blasting out... "You're standing on the edge of nowhere.... there's only one way out, and your heart's gotta go there..." Yep, it was Cher's "Song for the Lonely" which played, disco ball and all as time passed and Andrew Jackson geared up for his 1828 campaign. You gotta love a show that invokes the Cher.
Jackson won the election with flying colors, becoming the first "People's President." He pledged to be the voice of the people, who rallied around him and voted for him because of his awesome tight jeans and because they'd totally have a beer with him, you know?
But it's hard, right, because the people don't actually know what they want (Just look at Dancing with the Stars. I mean, Bristol Palin? In the final? Really? I liked the girl, I did! She seemed like a really nice person. And major snaps to her for her growth as a dancer. That shit is hard! But still. The final? Really?) and Jackson realized that he couldn't just be Best Friend in Chief - he had to make the hard decisions himself - about the National Bank (a weird factoid just popped into my head about Jackson and the gold standard...) and the Indians and all the rest of it. He'd lost his wife (she died of grief, which as the show points out, is "the kind of shit that happened in the 19th century") and dedicated his life to serving the people (Populism, yeah, yeah!). Major bummer, dude. Is he still that guy?
The show ends reflecting on Jackson's legacy - with terror at home, unstable borders, the rich in charge and the working class suffering (sound familiar?), this Jackson thought of himself as a hero, doing what had to be done on behalf of the country. And on that score, you know, he did awesome - he doubled the size of the country, kicked out the English and French and the Spanish and solved the "Indian Problem." Yeah, Jackson really put the "Man" in "Manifest Destiny." But, the storyteller, back as an angel, points out that there are some who'd argue that Jackson was actually something of an American Hitler, taking drastic measures against the native population. I didn't really think about Jackson's legacy much one way or another. They certainly don't tell you all the good stuff in school (like the whole Jackson marrying someone who was already married thing. Wouldn't you have paid more attention in history class if you were learning stuff like that??)
But anyway, I loved it. I recommend it and would see it again and again. If you're in New York, go and see it. If you're not in New York, go there and see it. Stay at the Belleclaire - no bugs!
I left, happy, splashing through Times Square in the rain, singing the song "The Battle of New Orleans" - all together now! "In 1814 we took a little trip, along with Col. Jackson down the mighty Mississip..."

