it's about things i like (& things i don't)... it's about work & about play... it's about food & fashion, divas & my sweet home, Chicago
Friday, February 25, 2011
the king's speech AKA give that man an oscar now!
The King's Speech is a wonderful film. It is not flashy, it is not filled with high speed chases or lots of explosions, it is a quiet film, exploring one man's struggle with a stammer. He was no ordinary man, of course, he was the Duke of York, the Spare Prince, #2, the invisible man, never to be King. Destiny changed all that for him when his playboy brother David (who was Edward VIII for a short short while) abdicated the throne for that "twice divorced, American woman" Wallis Simpson before they headed off to their "vee-la" in France (sorry, the above quotes were for my own amusement - I had a thing for Edward VIII in school and did an AP European history project on his non-existent reign).
Suddenly, the man in the background found himself center stage, at a time when the world was about to get sucked in to another global conflict. He had no actual politcal power, like to form a government, but everyone looked to him for guidance. The people need you, Bertie. So public speaking became important and he looked to the "common colonial" Lional Logue for assistance for getting rid of the stutter. The relationship with these two men lasted the rest of George VI's lifetime.
It's a wonderful story, a little slice of life. The cast is all kinds of star powered - aside from Colin Firth and Geoffrey Rush, it includes Helena Bonham Carter as the Queen Mum, leading off a Harry Potter reunion of sorts with Michael Gambon as George V, and Timothy Spall as Winston Churchill. Also in the cast are Jennifer Ehle (from P&P - squee!) Sir Derek Jacobi, Guy Pierce and, something that will probably interest only me, but it is my blog, right, so I'm gonna mention it - Anthony Andrews as Prime Minister Baldwin. Mr. Andrews is a wonderful actor who once played Edward VIII in a little made for tv movie called "The Woman He Loved". He also played Sebastian in "Brideshead Revisited" - not the recent movie, an older version, a dashing Scarlet Pimpernel, and a bomb squad officer in a lovely little series called "Danger UXB"). He has about two scenes in this film, and it took me until the second one to recognize him, but sure enough, there he was.
Anyway. Do yourselves a favor, this Oscar weekend, and go see The King's Speech. There will always (always) be another Adam Sandler move (trust me). But this one is a sweet little gem and is not to be missed.
Friday, February 18, 2011
the best thing i've read all day...
"The Joffrey Ballet’s grand and glorious production of “The Merry Widow,” the full-length ballet by British choreographer Ronald Hynd now in a lavish company premiere at the Auditorium Theatre, might just inspire a little yearning for the rebirth of the Austro-Hungarian Empire."
Huh??
Really? Yearning? Really? I don't see how we're supposed to take critics seriously at all, when they say stuff like this. Full disclosure here: I haven't seen this and I most likely won't be. So, for all I know, the entire audience might have left the Auditorium having the following conversation:
Patron 1: You know what the world needs? A return to the days of the Austro-Hungarian Empire.
Patron 2: Yeah! I was totes thinking that too!
Patron 1: I love how they went from being primitive city-states to like, the first world superpower.
Patron 2: Yeah, Europe got all united and shit. Power to the Habsburgs!
Patron 1: It's really too bad that that Franz Ferdinand got shot in 1914, by those crazy-ass mo-fos in the Black Hand.
Patron 2: That would be a totally awesome name for a band.
Patron 1: Black Hand?
Patron 2: No, Franz Ferdinand.
Patron 1: I think that's taken. But whaevs. This ballet? Totally reminded me of the Austro-Hungarian Empire. I don't know how, since it was, like, a really long time ago, but I inexplicably find myself yearning for a return to those glory days of yore.
Patron 2: Did you just say yore?
Patron 1: Yeah, sorry, I guess I got caught up in all the yearning.
Patron 2: The costumes were pretty though, and ooh, the dancing was awesome, too.
Patron 1: Yeah. I love me a good waltz.
Patron 2: Is it me or is it really dark in that theter?
etc.
I don't remember what the rest of the review said, I have been sitting here chuckling about that opening line for a solid 20 minutes. So if anyone goes to see the Merry Widow PLEASE, PLEASE tell me if you are gripped with a sudden yearning for good old Archduke Franz whatshisname and the Austro-Hungarian Empire. And thank you, critic-who-shall-not-be-named-although-I-am-pretty-sure-any-Chicagoan-will-know-right-away-who-you-are, for helping me start out my Friday with a good laugh, and also allowing me to flex my creative muscles before work...
Wednesday, February 16, 2011
Let Me Entertain You...
I went into this book thinking I knew the story - I have, after all, seen Gypsy the musical fable severally, read Gypsy's autobiography and even her son's book, Gypsy & Me. The story is familiar - trouping the vaudeville circuit, at the end the era of that kind of entertainment. Baby June's crazy ability (very much exploited) to dance on pointe when she was only 2 years old, which probably led her to flee the act as a teenager. The creation of Gypsy Rose Lee, internationally renowned famous person and burlesque queen, from Rose Louise Hovick - the not very talented, self-taught girl, nicknamed "the Duchess".
This is a story about identity - Rose Louise, born June Ellen Hovick, had her name taken away from her when her cute as a button baby sister was born (thus becoming Baby/Dainty June AKA June Havoc in later years). But who is this girl? She is an early day Madonna of sorts, recreating herself to fit whatever image suits her at the time. Stripteaser extraordinaire? Check. TV talk show hostess? Check. Mother? Check. Pretty Princess of Fabulous Literary Salons and exclusive Parties? Check Check Check. A true ecdysiast (a word coined for her) - shedding her skin on stage and in life. Giving things away but keeping a lot to herself. The shy quiet Louise, desperate to be a star and seeking Mother's attention, that we grew to know and love from the musical? That story is the way Gypsy wanted it to be, maybe not necessarily the way things were. Hence the use of the word "fable" in the show's title.
This is also the story of America in the early 20th century. A time of notorious political corruption, post WWI isolationism, and the start of the Great Depression. This era saw the rise of burlesque as popular entertainment, chronicled in the book through the story of the brothers Minsky.
Several narrative threads come together masterfully in this book, the story of Gypsy, her relationship with her mother and with June, a tale of entertainment (and morality) in Depression-era America, before our rise to Superpowerhood, innocence lived and lost.
Friday, February 11, 2011
Thursday, February 03, 2011
when is spring gonna get here, anyway?
That? Is my driveway. It is REALLY long and let me tell you, took forever to get clear. That's not an abandoned car on LSD, with its wipers up as a distress call, it's MY car, buried behind the house. See the HUGE drift right behind it? I dug the car out myself and I.AM.STILL.SORE.
Today, it's freezing-ass cold, and I got a text last night letting me know that the office is going to open at 12 today. So.... semi snow day!